109 bars of 4/4 at 130 BPM, about 3:08 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 33-34, and 6 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 17, 18, 22, 26, 42, 46 and 11 more.
6 more fills are written out on the fills page.
109 bars across 11 sections: 68 keep time, 17 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-14.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
109 bars, about 3:08 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 17, 18, 22, 26, 42, 46 and 11 more.