172 bars of 4/4 at 136 BPM, about 5:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-47, 67-73 and 125-131, and 2 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 20 times: bars 16, 24, 32, 40, 50, 58 and 14 more.
8 more fills are written out on the fills page.
172 bars across 16 sections: 126 keep time, 20 are fills, 9 are stops and 5 are silent. The longest unbroken stretch of time is bars 149-172.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 57 out of 100; the rest of the number is everything around it.
172 bars, about 5:03 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 16, 24, 32, 40, 50, 58 and 14 more.