122 bars of 4/4 at 152 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-7 and 10, and 7 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 8, 9, 15, 16, 40, 41 and 10 more.
5 more fills are written out on the fills page.
122 bars across 9 sections: 86 keep time, 16 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 51-64.
152 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
122 bars, about 3:13 at the written tempo. The course breaks it into 43 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 8, 9, 15, 16, 40, 41 and 10 more.