122 bars of 4/4 at 152 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-7 and 10, and 5 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
122 bars across 11 sections: 98 keep time, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 32-48.
152 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
122 bars, about 3:13 at the written tempo. The course breaks it into 38 exercises over 16 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.