97 bars of 4/4 at 152 BPM, about 2:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 81-83, 85-87 and 89-94 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 16 times: bars 16, 32, 36, 40, 44, 46 and 10 more.
8 more fills are written out on the fills page.
97 bars across 13 sections: 58 keep time, 16 are fills, 4 are stops and 9 are silent. The longest unbroken stretch of time is bars 4-12.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
97 bars, about 2:33 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 16, 32, 36, 40, 44, 46 and 10 more.