232 bars, 19:01, at 50 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 2-4, 12-14 and 22-25, and 9 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 31 times: bars 1, 5, 8, 11, 15, 18 and 25 more.
12 more fills are written out on the fills page.
232 bars across 26 sections: 167 keep time, 31 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 216-227.
50 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
232 bars, about 19:01 at the written tempo. The course breaks it into 78 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 31 times: bars 1, 5, 8, 11, 15, 18 and 25 more.