107 bars of 4/4 at 125 BPM, about 3:24 of playing, on crash, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 10-12, and 7 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 1, 33, 56, 66 and 107.
1 more fill is written out on the fills page.
107 bars across 10 sections: 91 keep time, 5 are fills and 2 are silent. The longest unbroken stretch of time is bars 68-90.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
107 bars, about 3:24 at the written tempo. The course breaks it into 35 exercises over 14 sittings, about 23 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 5 times: bars 1, 33, 56, 66 and 107.