241 bars of 3/4 -- not four -- at 150 BPM, 4:49 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 43 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 21 times: bars 20, 36, 44, 80, 88, 100 and 15 more.
2 more fills are written out on the fills page.
241 bars across 13 sections: 114 keep time, 21 are fills, 71 are stops and 23 are silent. The longest unbroken stretch of time is bars 51-73.
150 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
241 bars, about 4:49 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 20, 36, 44, 80, 88, 100 and 15 more.