229 bars of 4/4 at 120 BPM, about 8:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-38, 41-43 and 50, and 8 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 95 times: bars 8, 11, 12, 14, 16, 18 and 89 more.
25 more fills are written out on the fills page.
229 bars across 18 sections: 90 keep time, 95 are fills, 3 are stops and 19 are silent. The longest unbroken stretch of time is bars 28-32.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
229 bars, about 8:18 at the written tempo. The course breaks it into 76 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 95 times: bars 8, 11, 12, 14, 16, 18 and 89 more.