132 bars of 4/4 at 135 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 61-70 and 110-125 -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 25 times: bars 27, 33, 34, 35, 36, 44 and 19 more.
6 more fills are written out on the fills page.
132 bars across 12 sections: 95 keep time, 25 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-23.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
132 bars, about 3:52 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 25 times: bars 27, 33, 34, 35, 36, 44 and 19 more.