85 bars, 4:36, at 74 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 34-36, 38-40 and 69-71, and 1 more place -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 37, 41, 53, 54, 56, 57 and 3 more.
3 more fills are written out on the fills page.
85 bars across 8 sections: 20 keep time, 9 are fills, 3 are stops and 49 are silent. The longest unbroken stretch of time is bars 69-75.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
85 bars, about 4:36 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 37, 41, 53, 54, 56, 57 and 3 more.