178 bars of 3/4 -- not four -- at 112 BPM, 5:18 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-40, 78-85 and 151-156 -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 31 times: bars 6, 8, 9, 13, 16, 17 and 25 more.
14 more fills are written out on the fills page.
178 bars across 18 sections: 110 keep time, 31 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 26-34.
112 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
95 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 82 out of 100; the rest of the number is everything around it.
178 bars, about 5:18 at the written tempo. The course breaks it into 70 exercises over 21 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 31 times: bars 6, 8, 9, 13, 16, 17 and 25 more.