133 bars of 4/4 at 125 BPM, about 4:15 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 58, 102-116 and 118-124 -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 87 times: bars 1, 2, 3, 4, 5, 6 and 81 more.
5 more fills are written out on the fills page.
133 bars across 6 sections: 20 keep time, 87 are fills, 14 are stops and 10 are silent.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
133 bars, about 4:15 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 87 times: bars 1, 2, 3, 4, 5, 6 and 81 more.