104 bars of 4/4 at a walking 76 BPM, 5:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-6, 9-10 and 13-14, and 6 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 8, 12, 20, 28, 36, 40 and 7 more.
5 more fills are written out on the fills page.
104 bars across 11 sections: 75 keep time, 13 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 13-19.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
104 bars, about 5:27 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 8, 12, 20, 28, 36, 40 and 7 more.