149 bars of 4/4 at 132 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32, 34-35 and 54, and 19 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 14 times: bars 16, 30, 44, 60, 67, 68 and 8 more.
2 more fills are written out on the fills page.
149 bars across 10 sections: 120 keep time, 14 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 87-96.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
149 bars, about 4:30 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 16, 30, 44, 60, 67, 68 and 8 more.