137 bars at 170 BPM -- fast, and 3:13 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-35, 43 and 45, and 13 more places -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 42, 58, 62, 66, 94, 98 and 2 more.
137 bars across 17 sections: 89 keep time, 8 are fills, 18 are stops and 4 are silent. The longest unbroken stretch of time is bars 2-14.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
137 bars, about 3:13 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 42, 58, 62, 66, 94, 98 and 2 more.