81 bars of 4/4 at 113 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-13, 15-17 and 20-21, and 7 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 33, 34, 50 and 81.
81 bars across 12 sections: 61 keep time, 4 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 65-74.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
81 bars, about 2:52 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 33, 34, 50 and 81.