112 bars of 4/4 at a walking 106 BPM, 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 27-29, and 8 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 34, 35, 52, 60, 68, 76 and 5 more.
5 more fills are written out on the fills page.
112 bars across 10 sections: 84 keep time, 11 are fills and 6 are silent. The longest unbroken stretch of time is bars 12-29.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
112 bars, about 4:14 at the written tempo. The course breaks it into 46 exercises over 18 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 34, 35, 52, 60, 68, 76 and 5 more.