176 bars of 4/4 at 120 BPM, about 5:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 5 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 4, 8, 50, 67, 68, 71 and 12 more.
5 more fills are written out on the fills page.
176 bars across 15 sections: 106 keep time, 18 are fills, 34 are stops and 4 are silent. The longest unbroken stretch of time is bars 107-126.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
176 bars, about 5:52 at the written tempo. The course breaks it into 53 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 4, 8, 50, 67, 68, 71 and 12 more.