214 bars, 14:13, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 17-32, 48-49 and 52-53, and 3 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 37, 65, 68, 80, 83, 87 and 8 more.
4 more fills are written out on the fills page.
214 bars across 21 sections: 169 keep time, 14 are fills, 4 are stops and 13 are silent. The longest unbroken stretch of time is bars 118-142.
60 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
214 bars, about 14:13 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 37, 65, 68, 80, 83, 87 and 8 more.