135 bars of 4/4 at a walking 100 BPM, 5:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-15, 17 and 21, and 5 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 5, 7, 8, 16, 75, 77 and 4 more.
135 bars across 15 sections: 59 keep time, 14 are fills, 47 are stops and 2 are silent. The longest unbroken stretch of time is bars 118-131.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
135 bars, about 5:24 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 5, 7, 8, 16, 75, 77 and 4 more.