147 bars, 10:18, at 65 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 96-100, 102-104 and 106, and 3 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 2, 4, 13, 14, 15, 17 and 11 more.
6 more fills are written out on the fills page.
147 bars across 9 sections: 87 keep time, 17 are fills, 16 are stops and 21 are silent. The longest unbroken stretch of time is bars 95-119.
65 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
46 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 46 out of 100; the rest of the number is everything around it.
147 bars, about 10:18 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 2, 4, 13, 14, 15, 17 and 11 more.