152 bars of 4/4 at 111 BPM, about 5:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 78-82, 84-85 and 87, and 8 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 46 times: bars 1, 2, 18, 19, 20, 21 and 40 more.
17 more fills are written out on the fills page.
152 bars across 14 sections: 71 keep time, 46 are fills and 19 are stops. The longest unbroken stretch of time is bars 87-105.
111 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
152 bars, about 5:19 at the written tempo. The course breaks it into 68 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 46 times: bars 1, 2, 18, 19, 20, 21 and 40 more.