118 bars of 4/4 at a walking 90 BPM, 5:15 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-25, 33-42 and 47-67, and 1 more place -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 1, 2, 16, 17, 20, 27 and 4 more.
3 more fills are written out on the fills page.
118 bars across 13 sections: 78 keep time, 10 are fills, 17 are stops and 3 are silent. The longest unbroken stretch of time is bars 48-67.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
118 bars, about 5:15 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 1, 2, 16, 17, 20, 27 and 4 more.