112 bars of 4/4 at 130 BPM, about 3:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 29-30, 33-34 and 57-58, and 5 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 30 times: bars 2, 4, 6, 18, 20, 22 and 24 more.
11 more fills are written out on the fills page.
112 bars across 17 sections: 64 keep time, 30 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 30-37.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 43 out of 100; the rest of the number is everything around it.
112 bars, about 3:27 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 30 times: bars 2, 4, 6, 18, 20, 22 and 24 more.