190 bars, 11:00, at 66 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 86, 88 and 90-92, and 9 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 22 times: bars 1, 9, 13, 25, 35, 41 and 16 more.
15 more fills are written out on the fills page.
190 bars across 19 sections: 146 keep time, 23 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 86-99.
66 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
88 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
190 bars, about 11:00 at the written tempo. The course breaks it into 79 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 22 times: bars 1, 9, 13, 25, 35, 41 and 16 more.