118 bars of 4/4 at 143 BPM, about 3:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12, 20 and 36, and 19 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 23 times: bars 7, 13, 19, 21, 29, 33 and 17 more.
7 more fills are written out on the fills page.
118 bars across 11 sections: 75 keep time, 23 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 22-28.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
118 bars, about 3:18 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 7, 13, 19, 21, 29, 33 and 17 more.