239 bars at 200 BPM -- fast, and 4:46 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-35 and 37-39, and 12 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 28 times: bars 24, 28, 36, 40, 42, 48 and 22 more.
12 more fills are written out on the fills page.
239 bars across 21 sections: 145 keep time, 28 are fills, 37 are stops and 3 are silent. The longest unbroken stretch of time is bars 136-149.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
239 bars, about 4:46 at the written tempo. The course breaks it into 64 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 28 times: bars 24, 28, 36, 40, 42, 48 and 22 more.