129 bars of 4/4 at 152 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 47-49, and 6 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 8, 16, 20, 24, 38, 46 and 7 more.
5 more fills are written out on the fills page.
129 bars across 15 sections: 71 keep time, 13 are fills, 13 are stops and 15 are silent. The longest unbroken stretch of time is bars 102-116.
152 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
129 bars, about 3:23 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 8, 16, 20, 24, 38, 46 and 7 more.