132 bars of 4/4 at 149 BPM, about 3:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 24 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 31 times: bars 12, 16, 17, 18, 19, 20 and 25 more.
12 more fills are written out on the fills page.
132 bars across 11 sections: 56 keep time, 31 are fills, 9 are stops and 22 are silent. The longest unbroken stretch of time is bars 58-63.
149 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
132 bars, about 3:33 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 31 times: bars 12, 16, 17, 18, 19, 20 and 25 more.