152 bars of 6/4 -- not four -- at 88 BPM, 10:22 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6-9, 45-47 and 83-89 -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 13, 20, 21, 26, 27, 30 and 17 more.
8 more fills are written out on the fills page.
152 bars across 15 sections: 48 keep time, 23 are fills, 7 are stops and 59 are silent. The longest unbroken stretch of time is bars 37-43.
88 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 40 out of 100; the rest of the number is everything around it.
152 bars, about 10:22 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 13, 20, 21, 26, 27, 30 and 17 more.