298 bars of 3/4 -- not four -- at 100 BPM, 9:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 77-82, 84-89 and 253-258, and 1 more place -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38 fills to learn, played 76 times: bars 16, 36, 40, 44, 49, 50 and 70 more.
34 more fills are written out on the fills page.
298 bars across 31 sections: 164 keep time, 76 are fills, 9 are stops and 17 are silent. The longest unbroken stretch of time is bars 17-24.
100 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
298 bars, about 9:57 at the written tempo. The course breaks it into 135 exercises over 43 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
38 fills to learn, played 76 times: bars 16, 36, 40, 44, 49, 50 and 70 more.