158 bars of 4/4 at a walking 83 BPM, 7:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 128, 130-131 and 133-158 -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 18 times: bars 8, 9, 25, 32, 33, 35 and 12 more.
5 more fills are written out on the fills page.
158 bars across 14 sections: 121 keep time, 18 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 130-158.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
158 bars, about 7:33 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 8, 9, 25, 32, 33, 35 and 12 more.