138 bars of 4/4 at 125 BPM, about 4:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27-29, 31-33 and 35-36, and 4 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 28 times: bars 18, 22, 30, 34, 42, 50 and 22 more.
11 more fills are written out on the fills page.
138 bars across 14 sections: 79 keep time, 28 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-12.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
138 bars, about 4:12 at the written tempo. The course breaks it into 55 exercises over 18 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 28 times: bars 18, 22, 30, 34, 42, 50 and 22 more.