98 bars of 4/4 at 130 BPM, about 3:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 83-96 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 37, 41, 46, 47, 57, 97 and 1 more.
1 more fill is written out on the fills page.
98 bars across 14 sections: 56 keep time, 7 are fills, 13 are stops and 7 are silent. The longest unbroken stretch of time is bars 83-96.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
98 bars, about 3:00 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 37, 41, 46, 47, 57, 97 and 1 more.