154 bars of 4/4 at a walking 87 BPM, 6:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 47, 49 and 51, and 20 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 26 times: bars 24, 25, 26, 27, 28, 29 and 20 more.
8 more fills are written out on the fills page.
154 bars across 12 sections: 104 keep time, 26 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 124-153.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
154 bars, about 6:55 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 26 times: bars 24, 25, 26, 27, 28, 29 and 20 more.