140 bars of 4/4 at a walking 86 BPM, 6:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-11, 13-19 and 21-22, and 3 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 29 times: bars 12, 20, 23, 24, 27, 31 and 23 more.
13 more fills are written out on the fills page.
140 bars across 13 sections: 91 keep time, 29 are fills and 4 are stops. The longest unbroken stretch of time is bars 1-11.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
140 bars, about 6:26 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 29 times: bars 12, 20, 23, 24, 27, 31 and 23 more.