164 bars of 4/4 at a walking 98 BPM, 6:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 45-47, and 5 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 12, 20, 28, 36, 44, 48 and 11 more.
5 more fills are written out on the fills page.
164 bars across 19 sections: 104 keep time, 18 are fills, 21 are stops and 5 are silent. The longest unbroken stretch of time is bars 94-100.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
164 bars, about 6:17 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 12, 20, 28, 36, 44, 48 and 11 more.