125 bars of 4/4 at 130 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 37-42, 45-50 and 93-98, and 3 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 21 times: bars 21, 22, 33, 34, 35, 36 and 15 more.
2 more fills are written out on the fills page.
125 bars across 8 sections: 92 keep time, 22 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-20.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
125 bars, about 3:47 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 21, 22, 33, 34, 35, 36 and 15 more.