113 bars of 4/4 at 142 BPM, about 3:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 19 and 31, and 9 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 25 times: bars 9, 13, 21, 23, 25, 27 and 19 more.
14 more fills are written out on the fills page.
113 bars across 13 sections: 62 keep time, 25 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 48-52.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
113 bars, about 3:11 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 25 times: bars 9, 13, 21, 23, 25, 27 and 19 more.