173 bars of 4/4 at 134 BPM, about 5:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 56-62, 64-71 and 98-104, and 3 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 18 times: bars 1, 5, 7, 10, 31, 39 and 12 more.
9 more fills are written out on the fills page.
173 bars across 14 sections: 107 keep time, 18 are fills, 15 are stops and 22 are silent. The longest unbroken stretch of time is bars 75-89.
134 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 28 out of 100; the rest of the number is everything around it.
173 bars, about 5:09 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 1, 5, 7, 10, 31, 39 and 12 more.