140 bars of 3/4 -- not four -- at 94 BPM, 5:45 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-40, 60-65 and 105-117 -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 47 times: bars 2, 3, 4, 5, 6, 7 and 41 more.
15 more fills are written out on the fills page.
140 bars across 14 sections: 75 keep time, 47 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 106-117.
94 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
140 bars, about 5:45 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 47 times: bars 2, 3, 4, 5, 6, 7 and 41 more.