130 bars of 4/4 at a walking 90 BPM, 5:35 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 28, and 17 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 35 times: bars 16, 24, 25, 26, 27, 44 and 29 more.
11 more fills are written out on the fills page.
130 bars across 8 sections: 65 keep time, 35 are fills, 11 are stops and 14 are silent. The longest unbroken stretch of time is bars 28-35.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
130 bars, about 5:35 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 35 times: bars 16, 24, 25, 26, 27, 44 and 29 more.