480 bars of 4/4 at 110 BPM, about 17:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-62, 67-70 and 79-91, and 27 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
55 fills to learn, played 117 times: bars 21, 33, 34, 35, 39, 40 and 111 more.
51 more fills are written out on the fills page.
480 bars across 38 sections: 215 keep time, 117 are fills, 65 are stops and 40 are silent. The longest unbroken stretch of time is bars 22-32.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
480 bars, about 17:31 at the written tempo. The course breaks it into 146 exercises over 37 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
55 fills to learn, played 117 times: bars 21, 33, 34, 35, 39, 40 and 111 more.