76 bars, 4:50, at 63 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 15-17, 20-22 and 35-37, and 5 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 19 times: bars 4, 8, 11, 14, 19, 24 and 13 more.
7 more fills are written out on the fills page.
76 bars across 10 sections: 44 keep time, 19 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 20-23.
63 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
76 bars, about 4:50 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 4, 8, 11, 14, 19, 24 and 13 more.