256 bars of 4/4 at 120 BPM, about 10:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 59-61, and 3 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 81 times: bars 9, 10, 11, 25, 29, 33 and 75 more.
23 more fills are written out on the fills page.
256 bars across 22 sections: 88 keep time, 82 are fills, 2 are stops and 59 are silent. The longest unbroken stretch of time is bars 130-139.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
256 bars, about 10:28 at the written tempo. The course breaks it into 99 exercises over 30 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 81 times: bars 9, 10, 11, 25, 29, 33 and 75 more.