214 bars at 175 BPM -- fast, and 4:53 of it without a break -- on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8, 12 and 21, and 14 more places -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 80 times: bars 1, 6, 7, 10, 13, 14 and 74 more.
18 more fills are written out on the fills page.
214 bars across 21 sections: 111 keep time, 80 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 192-205.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
214 bars, about 4:53 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 27 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 80 times: bars 1, 6, 7, 10, 13, 14 and 74 more.