142 bars of 4/4 at 147 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-15 and 17-19, and 12 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 33 times: bars 1, 2, 3, 4, 5, 6 and 27 more.
9 more fills are written out on the fills page.
142 bars across 10 sections: 79 keep time, 34 are fills, 17 are stops and 1 is silent. The longest unbroken stretch of time is bars 55-65.
147 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
142 bars, about 3:51 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 33 times: bars 1, 2, 3, 4, 5, 6 and 27 more.