83 bars of 4/4 at a walking 90 BPM, 3:41 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 46-52, 67-73 and 75-77, and 1 more place -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 1, 2, 10, 11, 20, 24 and 8 more.
3 more fills are written out on the fills page.
83 bars across 10 sections: 54 keep time, 14 are fills and 5 are stops. The longest unbroken stretch of time is bars 68-81.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 29 out of 100; the rest of the number is everything around it.
83 bars, about 3:41 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 1, 2, 10, 11, 20, 24 and 8 more.