180 bars of 4/4 at 123 BPM, about 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-34, 36-41 and 102-108 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 29 times: bars 9, 17, 19, 27, 35, 43 and 23 more.
13 more fills are written out on the fills page.
180 bars across 14 sections: 125 keep time, 29 are fills, 5 are stops and 5 are silent. The longest unbroken stretch of time is bars 52-66.
123 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
180 bars, about 5:51 at the written tempo. The course breaks it into 65 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 29 times: bars 9, 17, 19, 27, 35, 43 and 23 more.